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ULEMU

By Peter Mawanga Judges 6:1–18
About
Musician and composer Peter Mawanga wrote this song of confession, pointing to hope for deliverance, in response to Judges 6:1-18. [...] Read More

Musician and composer Peter Mawanga wrote this song of confession, pointing to hope for deliverance, in response to Judges 6:1-18.

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Details
Year
2020
Music Lyrics + Composition
Peter Mawanga
VOX + Lead Guitar
Peter Mawanga
Second Guitar
Ndawa Nyanda
Saxophone
Richards Mgala
Bass Guitar
Alfred Sitolo Nkhoma
Drums + Percussion
Lyson Chisuse
Produced by
Peter Mawanga
Artist Curated by
Spark+Echo Arts

Scripture

Judges 6:1–18

1 And the children of Israel did evil in the sight of the LORD : and the LORD delivered them into the hand of Midian seven years. 2 And the hand of Midian prevailed against Israel: and because of the Midianites the children of Israel made them the dens which are in the mountains, and caves, and strong holds. 3 And so it was, when Israel had sown, that the Midianites came up, and the Amalekites, and the children of the east, even they came up against them; 4 And they encamped against them, and destroyed the increase of the earth, till thou come unto Gaza, and left no sustenance for Israel, neither sheep, nor ox, nor ass. 5 For they came up with their cattle and their tents, and they came as grasshoppers for multitude; for both they and their camels were without number: and they entered into the land to destroy it. 6 And Israel was greatly impoverished because of the Midianites; and the children of Israel cried unto the LORD .

7 ¶ And it came to pass, when the children of Israel cried unto the LORD because of the Midianites, 8 That the LORD sent a prophet unto the children of Israel, which said unto them, Thus saith the LORD God of Israel, I brought you up from Egypt, and brought you forth out of the house of bondage; 9 And I delivered you out of the hand of the Egyptians, and out of the hand of all that oppressed you, and drave them out from before you, and gave you their land; 10 And I said unto you, I am the LORD your God; fear not the gods of the Amorites, in whose land ye dwell: but ye have not obeyed my voice.

11 ¶ And there came an angel of the LORD , and sat under an oak which was in Ophrah, that pertained unto Joash the Abi-ezrite: and his son Gideon threshed wheat by the winepress, to hide it from the Midianites. 12 And the angel of the LORD appeared unto him, and said unto him, The LORD is with thee, thou mighty man of valour. 13 And Gideon said unto him, Oh my Lord, if the LORD be with us, why then is all this befallen us? and where be all his miracles which our fathers told us of, saying, Did not the LORD bring us up from Egypt? but now the LORD hath forsaken us, and delivered us into the hands of the Midianites. 14 And the LORD looked upon him, and said, Go in this thy might, and thou shalt save Israel from the hand of the Midianites: have not I sent thee? 15 And he said unto him, Oh my Lord, wherewith shall I save Israel? behold, my family is poor in Manasseh, and I am the least in my father’s house. 16 And the LORD said unto him, Surely I will be with thee, and thou shalt smite the Midianites as one man. 17 And he said unto him, If now I have found grace in thy sight, then shew me a sign that thou talkest with me. 18 Depart not hence, I pray thee, until I come unto thee, and bring forth my present, and set it before thee. And he said, I will tarry until thou come again.

Artist
Peter Mawanga

Peter Mawanga

From the Artist
ULEMU is a song of confession and total submission. [...] Read More

The song is inspired by the book of Judges 6, verses 1-18.

After the Israelites had sinned against God, He gave them into the hands of Midianites.

Later, when they confessed to God and cried out for his forgiveness, God used Gideon to redeem them from the Midianites.

ULEMU is a song of confession and total submission.

Ndabwera pamaso panu, mogonja ndimothedwa nzeru

Ndaona ukulu wanu ambuye ndilandireni inu
(Here I am in total submission, I confess my sins and acknowledge you are my lord and saviour.)

Ndayesayesa mwa nzeru zanga koma ndaperewera ndithu

Ndazindikira kulakwa kwanga ambuye ndikhululukireni inu
(I thought I could stand on my own, but instead I have fallen short of your glory, so please forgive me.)

Ulemu ukhale kwa inu

Ndi mtima wanga wonse ndipereka

Ulemu kwa inu
(With all my heart, I give glory and honour unto you.)

Biography
Peter Mawanga has attracted worldwide acclaim with his music, the Nyanja vibes, performing on world stages in Africa, Europe and America. Not a stranger to the BBC and other media outlets, Mawanga has established himself as one of the living legends in Malawi and Africa.Blending traditional instruments as the Nyanja’s visekese, malimba, and Kaligo, with contemporary instruments, he produces music that is fondly described by many as therapeutic, drawing from the Nyanja’s core values of peace and calm. The Nyanja are the most peaceful people in Africa and their country Malawi, which has never been at war, be it civil or otherwise, is known as the warm heart of Africa. Their instruments are deliberately designed to produce sounds that appeal to different feelings that aim at calming the nerves, celebrating life, pleading for peace and mostly merrymaking. It is from this source that Peter birthed the aMaravi movement and the celebrated Nyanja afro-vibes which mainly took off when he produced the now world renown album, Mawu A Malawi (The Voice of Malawi), which featured stories of AIDS. [...] Read More

Peter Mawanga has attracted worldwide acclaim with his music, the Nyanja vibes, performing on world stages in Africa, Europe and America. Not a stranger to the BBC and other media outlets, Mawanga has established himself as one of the living legends in Malawi and Africa.

Blending traditional instruments as the Nyanja’s visekese, malimba, and kaligo, with contemporary instruments, he produces music that is fondly described by many as therapeutic, drawing from the Nyanja’s core values of peace and calm. The Nyanja are the most peaceful people in Africa and their country Malawi, which has never been at war, be it civil or otherwise, is known as the warm heart of Africa. Their instruments are deliberately designed to produce sounds that appeal to different feelings that aim at calming the nerves, celebrating life, pleading for peace and mostly merrymaking. It is from this source that Peter birthed the aMaravi movement and the celebrated Nyanja afro-vibes which mainly took off when he produced the now world renown album, Mawu A Malawi (The Voice of Malawi), which featured stories of AIDS.

For seven months Peter and colleagues had collected narratives from twenty-six of the most inspiring people they had ever met. They shared their loss, pain, joy, courage, and wisdom. The result of the project was Mawu a Malawi. The album was launched at the University of North Carolina and Department of State, making Peter Mawanga the first African musician to perform at the office of the Secretary of State. Since then, Peter’s performances have been holistic, characterized by song, film, dance, talks and sometimes dramatic monologues.

His talks, among other things topics, are on:

  • Malawian traditional sounds; origins, use, relevance, relation to Africa and the world at large, the fusion with contemporary instruments, extinction, and preservation efforts.
  • Music and dance in Malawi, the interplay of music in the social setup. Issues of identity, music as a people’s movement and a catalyst for life. Dance and tribal heritage.
  • Talents of the Malawian Child Project Mawanga’s personal life (self-discovery) and involvement in projects for social change and economic empowerment.

Peter, just like the Nyanjas of Malawi, believes that music goes beyond the ear, reaching out into the inner person to produce a healing power. It is one of the keys to a peaceful mind.

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