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Poet Meg Freitag explores the duality of the human experience through her poem which illuminates Genesis 6:5-9:17.

Genesis 6:5-9:17

Once to Speak of His Brightness

By 

Meg Freitag

Credits: 

Curated by: 

Kent Shaw

2016

Poetry

Image by Giorgio Trovato

Primary Scripture

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I find myself going back again and again to this idea of duality, and how one can feel despair over the state of the world, regret over choices they’ve made, disappointment over unmet expectations, etc., and yet still experience moments of profound joy, gratitude, delight simultaneously. A person can do a horrible thing and still be loveable. A perpetrator can also be a victim. People are burdened with conflicting desires all day long. The desire to be cared for versus the desire to be free, for instance. Or the desire to be respected versus the desire to be liked.


I’ve long been preoccupied with the Noah’s Ark story. About God commanding the deluge, and what happens to Noah and his family after the flood. I think it’s an incredible narrative with incredible imagery. But it’s also deeply unsettling. There’s so much going on in this part of Genesis that is so confusing, even unfathomable at times, particularly the moments in which God seems to contradict Himself. I wonder if perhaps coming to terms with the irreconcilably dual nature of selfhood and desire is necessary for all acts of creation.

Spark Notes

The Artist's Reflection

Meg Freitag was born in Maine and currently lives in Austin, Texas. She has a BA from Sarah Lawrence College and an MFA from UT’s Michener Center for Writers, where she was a finalist for the 2015 Keene Prize for Literature. Her work has appeared in Tin House, Boston Review, Indiana Review, Day One, and Narrative, among others.



Meg Freitag

About the Artist

Meg Freitag

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Related Information
Image by Aaron Burden

How do You let your children Go like that, every which Way into the world Like chess pieces Set to a terrible music.

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O n c e t o S p e a k o f H i s B r i g h t n e s s

By Meg Frietag


( o n e )

How do You let your children

Go like that, every which

Way into the world

Like chess pieces

Set to a terrible music. How


Do You just stand there

And watch them pedal their bikes

Away from you, downhill

At breakneck speeds. Tiny softShelled

crabs so numerous as to seem


Like a single, disorganized organism,

Clamoring all over

The tops of each other

Trying to get to the best air.

How do You let them bury


Each other in the black

Suede of the sea? The first time

I rode in an airplane, I felt as if

I was somehow getting closer to You.

I felt like my prayers


For my friend Joanna, who had been hit

By a car and broken

Her back, would be louder

In Your ear. But the higher we went,

The farther I realized You were. It didn’t


Even occur to me, then,

That she might die, or to worry about her

Never being able to walk again.

I just wanted her to be well

Enough to accompany me


To the waterpark. I wanted to go to her

House and play Operation.

She was the only person I knew

Who still had all the bones

And organs that went to the game. That summer,


I listened to the Jewel

CD on repeat, singing along

Alone in the sunroom of my grandparents’

Pensacola house. Picture

A child, small for her age, drenched


In a large new vibrato. Picture the shivering

Lizards adhered to the window

Screens, picture how green.

And the rain

That came each evening, roaring


Sheets of percussive music. I thought then

Of the Old Testament

God, so notoriously shortTempered,

still figuring Himself

Out. For the longest time I couldn’t


Reconcile him with You. You,

Who I spoke to at night when I was afraid

I might do something to accidentally conjure

The devil and needed reassurance.

You with the dovelight


That trailed behind You

Everywhere you went. How

Do the two of You decide

When it’s time to reach

Down, pick someone


Up by the scruff of his neck?

The clouds turn to brick

Red scabs as the sun sinks, the streetLights

flashing on

Like minnows. I watched


The movie My Girl. It felt like a hole

Had been punched through

The world when the boy

Was stung to death by bees

As he tried to retrieve


The mood ring his best friend had dropped

In the woods. I felt myself projected

Into the body of the girl who loved him,

When she finally lost it

At his funeral


Because he wasn’t wearing

His glasses.



( t w o )

And in real life, there was Snowflake.

They called him that

In seventh grade because of how

Pale he was: his birch-

White hair, his see-through eyelashes.


The veins in his arms like radio

Wires. I swear they did

But when I saw him again, years later,

He didn’t know what I was talking about.

You’re confusing me


With somebody else, he said,

And I never mentioned it again.

Something happened to him

In Afghanistan. Orange dust

Rose around him


So dense I couldn’t see him

Through it whenever he tried to talk

To me about his time there. What does one do

When they are suddenly void

Of all desire? Like they couldn’t grab


Hold of a want

If their life depended on it. I have been

Before to this place, but have always made it

Back in time. Desire, this bright

Spot we carry by its handle


Like a lantern as we move

Forward. Without it

We are blind as animals that live

Their entire lives underground, living

The small way, with their mouths


Full of dirt. Long ago,

The Earth was covered

In a fine white fur. Animals

Slept out in the open and ate

Grain from the palms


Of our hands. You learned the hard way

That something white won’t stay

Clean for long. The bacchanalian

Stench became so thick

We had to line our nostrils


With camphor oil just to sleep

At night. You took down

Everyone’s number, said I will be back

For you later. No one believed You,

That’s how hollow the sounds


Of Earth had become. But You

Showed them. I think

Snowflake killed people

And he was violent with me, once.

I didn’t speak


A word to him

In the three years leading up

To his death. And yet

I still remember him as mostly

A gentle person. A boy with crooked


Wire glasses and filthy sneakers,

Who had panic attacks

Every time he thought

About what would happen

Once the landfills filled up. A summer


Morning, scored by garish,

Unkind light. Blue

Jays scatter from the yard

Like marbles, every which

Way, as I cross


To the compost. I know

It’s in their best interest, but I wish

You’d not taught the animals to fear

Us. Everything

Is always getting smaller


As it moves away. Do you see

Me, how alive I am? Growing

Old as a saint down here

In my little skiff. Caught

Between a desire to be loved—


Deeply, permanently—

And a desire

To be weightless. A foil

Wrapper in the soup-warm sea,

Gleaming


Like a beacon every now and again.

When the light strikes just right.



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Image by Aaron Burden

How do You let your children Go like that, every which Way into the world Like chess pieces Set to a terrible music.

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