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Emily Rose Hazel's work responds to the devastation after Hurricane Sandy, the theme of "Light and Darkness," and to the passages of Isaiah 50:2-3; 59:9-11 and Luke 1:78-79 as she builds a poetry collection responding to every theme from the year as a 2013 Spark+Echo Artist in Residence.
Isaiah 59:9-11
Isaiah 50:2-3
Luke 1:78-79
In the Wake of the Storm
By
Emily Ruth Hazel
Credits:
Read by Emily Rose Hazel
Curated by:
Spark+Echo Arts, Artist in Resident 2013
2013
Poetry/Spoken Word
Primary Scripture
Therefore is justice far from us,
and righteousness doesn’t overtake us.
We look for light, but see darkness;
for brightness, but we walk in obscurity.
We grope for the wall like the blind.
Yes, we grope as those who have no eyes.
We stumble at noon as if it were twilight.
Among those who are strong, we are like dead men.
We all roar like bears,
and moan bitterly like doves.
We look for justice, but there is none;
for salvation, but it is far off from us.
Isaiah 59:9-11
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“In the Wake of the Storm” is a response to the devastation of Hurricane Sandy, particularly its impact on the New York metro region. While I was very grateful to have come through the storm unscathed, a number of my friends were directly affected by it. Some felt the effects for days; others are still dealing with the aftermath months later.
After seeing widespread power outages and damage from fallen trees, flooding, and fires, those images stayed with me. Talking with people who had experienced these losses, I was struck by how quickly our modern world can be turned upside-down and how powerless we feel when this happens.
Crisis, as we know, brings out the best and the worst in human nature—the light and the dark. It presents an opportunity for people to adapt with remarkable resilience and generously help each other, or to dip into despair and take advantage of one another’s vulnerability.
I wanted to write a poem that would hold kernels of many stories from people in different areas who are recovering from disaster, and to leave room for questions that arise out of pain and anger, as a way of giving voice to their ongoing struggle.
Where The Boardwalk Used To Be,
Taken By Emily Rose Hazel, Edited By Charis J Carmichael Braun
Spark Notes
The Artist's Reflection
Emily Ruth Hazel is a poet, writer, and cross-pollinator who is passionate about diversifying the audience for poetry and giving voice to people who have been marginalized. Selected as the Honorary Poet for the 25th Annual Langston Hughes Community Poetry Reading in Providence, Rhode Island, she presented a commissioned tribute to the Poet Laureate of Harlem in February of 2020. She is a two-time recipient of national Dorothy Sargent Rosenberg Poetry Prizes and was awarded a National Endowment for the Arts Fellowship for a residency at The Hambidge Center in 2014. Her chapbook, Body & Soul (Finishing Line Press, 2005), was a New Women’s Voices finalist. Emily’s work has appeared in numerous anthologies, magazines, literary journals, and digital projects, including Kinfolks: A Journal of Black Expression and Magnolia: A Journal of Women’s Socially Engaged Literature. Her poetry has also been featured on music albums, in a hair salon art installation, and in a science museum exhibition.
Emily has written more than twenty commissioned works for organizations, arts productions, social justice projects, and private clients. Currently, she is developing several poetry book manuscripts and writing lyrics for an original musical inspired by the life of the extraordinary singer and Civil Rights icon Marian Anderson. A graduate of Oberlin College’s Creative Writing Program and a former New Yorker, she is now based in the Los Angeles area.
Instagram: @EmilyRuthHazel
Emily Ruth Hazel
About the Artist
Explore the other works composed throughout the year in Emily's poetry collection, created as a 2013 Artist in Residence.
Explore her works created throughout the year:
LIGHT AND DARKNESS (JANUARY 21, 2013)
“Circling the Waist of Wisdom”
FOOLS (APRIL 26, 2013)
DANCING (JUNE 27, 2013)
LIES (AUGUST 8, 2013)
HARVEST (NOVEMBER 14, 2013)
MEMORY (JANUARY 6, 2013)
Artists in Residence
Spark+Echo Artists in Residence spend a year developing and creating a major work in response to Scripture. Click on their names to view their projects.
Current Artists in Residence
Spark+Echo Arts seeks to develop and support communities of artists who engage with and create in response to the Bible. Due to the impacts of COVID-19 and some internal changes, we decided to pause the Artist in Residency for a year so that we could regroup our resources. Our hope is to continue offering this opportunity in 2021.
Previous Artists in Residence
2020
Sapient Soul, Marlanda Dekine (Poetry + Spoken Word)
2019
Lancelot Schaubert (Short Story)
2018
Elias Popa (Installation Art)
2017
Aaron Beaumont (Music), Lily Maase (Music)
2016
Ebitenyefa Baralaye (Visual Art), Chris Knight (Film), Lauren Ferebee (Theatre), Stephanie Miracle (Dance)
2015
Benje Daneman (Music), Jason DaSilva (Film), Melissa Beck (Visual Art), Don Nguyen (Theatre), Christine Suarez (Dance), The Spark & Echo Band (Music)
2013
Nicora Gangi (Visual Art), Emily Ruth Hazel (Poetry)
Related Information
Shattered windows that we are, strangers look through us at the aftermath. We are the dislocated, out of socket.
In the Wake of the Storm
by Emily Rose Hazel
Shattered windows that we are,
strangers look through us at the aftermath.
We are the dislocated, out of socket.
Bullied by the wind, knocked down, roots exposed.
We are the stories that go on breathing
after the headlines have exhausted themselves,
the survivors at the end of each obituary.
We are the families evicted by the ocean:
the deep has dragged its bloated belly
over the seawall, over the roads,
and made itself at home in our living rooms.
Our kitchen floors are covered
with its afterthoughts. Our basements
have been emptied of meaning.
Mountains of sand to be moved.
Of what use is faith to us, if it’s not muscled
and doesn’t carry its own shovel? What good is prayer
unless it can clear away all the debris
and show us what we’re standing on?
We are like broken boats
abandoned in the streets. We are the houses
we’ve been anxious to return to,
desperate to reclaim ourselves.
>p>The landscape as we knew it has dissolved.
A slab of what was once the boardwalk—
so many summers—washed up in a driveway.
Still bolted to the wood, a bench
on which we might have eaten ice cream.
Rows of fire-ravaged houses:
twisted metal bedframes, front steps
leading nowhere. A green door, left ajar,
listing on its hinges. Behind it,
the tangled remains—no walls,
just a swamp of blackened bricks.
>Everything is muddy and tastes of salt and ashes.
We wash dishes, clothes, our shivering bodies
with gratitude for clean but frigid water,
trying to contain the bitterness,
stop the infection from spreading.
Our batteries are dying,
our bright white circles of certainty
fading to hazy, amber halos.
In electricity we trust, but now
we’re going back to what has guided generations.
Every match strikes a word of courage
against the dark: a tongue of flame
flares up and licks the wick.
In this blind tunnel of days,
we huddle together, relearn old ways
to connect, trying to forget
how powerless we are. And for a while,
darkness slithers away, hides
in the corners of our minds.
A caravan of strangers
parked along the shoulder of the road,
we wait for hours to fill our empty tanks.
At the church, we stand in yet another line
to be handed rationed supplies:
a bucket and a flimsy sponge mop,
two rolls of toilet paper,
a Ziploc sandwich bag of laundry powder.
We reach into a box of matchbooks,
but there are no more candles to be found.
The days, mere stubs of wax,
burn out quickly now. Night comes early
to claim us. Not even a stoplight
punctuates the run-on sentence of the dark
as far as we can see.
After half-living so long without,
will it seem a strange miracle
when the wires hum with energy again?
Will we dizzy ourselves in celebration,
or simply weep with relief?
The promise of restoration
stale on winter’s breath, we are weary of waiting
for the sun to remember us.
We live on the far end of enough.
Justice does not reach us here. We open our doors
and step into bottomless shadows. We have lost
our eyes. We feel our way along the walls
as if the answers were written in braille.
As if our fingers could read.
Among the strong, we are like the dead.
Our hunger is an angry growl.
Our mourning is a hollow, feathered cry.
We stretch out our hands for deliverance
and it floats away, just beyond our reach.
We cling to each other to keep the ones we love
from being swept away by waves of despair.
God, if you hear us, why are you silent?
Is it because you are listening?
Or is your own throat filled with sand?
Push the waters back to where they belong.
If it’s true you can dry up the sea with a word,
have you misplaced what you meant to say?
If you are with us, how can we know,
when you have pulled down the curtain
and snuffed out all the lights in the sky
so that we cannot even see your silhouette?
Are you too tired to rescue us?
Are your arms too short to save?
We are still waiting for daybreak,
for your mercy to shine on the rest of us
sitting in the dark, sleeping in the shadow of death—
for you to show us, one foot at a time,
how to navigate these ruins
and somehow forge a crooked path to peace.
What do we have left? Splinters of memories,
jars of peanut butter to sustain us,
the generosity of friends. The work to be done
stretches before us like an ocean.
For now, we share what little light we have.
We swaddle babies in blankets.
We climb the stairs in high-rise buildings
to bring meals to aging parents.
We cup one hand around this flicker of hope,
our wavering belief that even now,
help is on its way from somewhere.
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Shattered windows that we are, strangers look through us at the aftermath. We are the dislocated, out of socket.