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Emily Ruth Hazel's poem responds to the theme of "Dancing" and Jeremiah 31:13 as she builds a poetry collection responding to every theme from the year as a 2013 Spark+Echo Artist in Residence.
Explore the other works composed throughout the year in Emily's poetry collection, created as a 2013 Artist in Residence.
Jeremiah 31:13
Homecoming
By
Emily Ruth Hazel
Credits:
Curated by:
Spark+Echo Arts
2013
Poetry/Spoken Word
Primary Scripture
Then the virgin will rejoice in the dance;
the young men and the old together;
for I will turn their mourning into joy,
and will comfort them, and make them rejoice from their sorrow.
Jeremiah 31:13
Share This Art:
I love how dancing can be a shared expression, and I'm intrigued by how that tradition is kept from culture to culture and in different contexts. In reading Jeremiah 31:13 and reflecting on mourning traditions, I wanted to explore how music and dance can draw us out of grief and isolation, into joy and community.
While it is a focal point at a funeral, the human body has often been considered irrelevant to—or even the enemy of—a person's spiritual life. As I see it, the physical and the spiritual are closely connected and the body also deserves to be honored, so I wanted to acknowledge in this poem some of the ways we experience both grief and joy through our bodies.
In choosing the title, I was interested in the different meanings of the word "Homecoming." Within the African American church, it can refer to a funeral service (also called a Homegoing Celebration), based on the belief that earth is only a temporary residence and the deceased is going home to be with God; space is held for mourning a loss as well as for celebrating a life. Then there is the entirely separate tradition of schools welcoming alumni during Homecoming Weekend, the culmination of which is a dance. And of course, the reasons we go home to be with family are as varied as the emotions that accompany our returning. But to me, homecoming always carries a sense of reunion, as much as dancing in a communal way evokes an emergence of joy.
Spark Notes
The Artist's Reflection
Emily Ruth Hazel is a poet, writer, and cross-pollinator who is passionate about diversifying the audience for poetry and giving voice to people who have been marginalized. Selected as the Honorary Poet for the 25th Annual Langston Hughes Community Poetry Reading in Providence, Rhode Island, she presented a commissioned tribute to the Poet Laureate of Harlem in February of 2020. She is a two-time recipient of national Dorothy Sargent Rosenberg Poetry Prizes and was awarded a National Endowment for the Arts Fellowship for a residency at The Hambidge Center in 2014. Her chapbook, Body & Soul (Finishing Line Press, 2005), was a New Women’s Voices finalist. Emily’s work has appeared in numerous anthologies, magazines, literary journals, and digital projects, including Kinfolks: A Journal of Black Expression and Magnolia: A Journal of Women’s Socially Engaged Literature. Her poetry has also been featured on music albums, in a hair salon art installation, and in a science museum exhibition.
Emily has written more than twenty commissioned works for organizations, arts productions, social justice projects, and private clients. Currently, she is developing several poetry book manuscripts and writing lyrics for an original musical inspired by the life of the extraordinary singer and Civil Rights icon Marian Anderson. A graduate of Oberlin College’s Creative Writing Program and a former New Yorker, she is now based in the Los Angeles area.
Instagram: @EmilyRuthHazel
Emily Ruth Hazel
About the Artist
Poet Emily Ruth Hazel wrote a collection of six poems incorporating her experiences with every theme from the year in response to passages of scripture.
Explore her works created throughout the year:
LIGHT AND DARKNESS (JANUARY 21, 2013)
“Circling the Waist of Wisdom”
FOOLS (APRIL 26, 2013)
DANCING (JUNE 27, 2013)
LIES (AUGUST 8, 2013)
HARVEST (NOVEMBER 14, 2013)
MEMORY (JANUARY 6, 2013)
Artists in Residence
Spark+Echo Artists in Residence spend a year developing and creating a major work in response to Scripture. Click on their names to view their projects.
Current Artists in Residence
Spark+Echo Arts seeks to develop and support communities of artists who engage with and create in response to the Bible. Due to the impacts of COVID-19 and some internal changes, we decided to pause the Artist in Residency for a year so that we could regroup our resources. Our hope is to continue offering this opportunity in 2021.
Previous Artists in Residence
2020
Sapient Soul, Marlanda Dekine (Poetry + Spoken Word)
2019
Lancelot Schaubert (Short Story)
2018
Elias Popa (Installation Art)
2017
Aaron Beaumont (Music), Lily Maase (Music)
2016
Ebitenyefa Baralaye (Visual Art), Chris Knight (Film), Lauren Ferebee (Theatre), Stephanie Miracle (Dance)
2015
Benje Daneman (Music), Jason DaSilva (Film), Melissa Beck (Visual Art), Don Nguyen (Theatre), Christine Suarez (Dance), The Spark & Echo Band (Music)
2013
Nicora Gangi (Visual Art), Emily Ruth Hazel (Poetry)
Related Information
Because joy is often stuck in traffic and is known for getting lost; because she cuts loose from the funeral procession and winds up missing the burial
Homecoming
by Emily Rose Hazel
Because joy is often stuck in traffic
and is known for getting lost;
because she cuts loose
from the funeral procession
and winds up missing the burial,
but arrives at the repast
hours later, wearing a yellow sundress
under her long, black coat,
brings us a pineapple upside-down cake
and turns up the sweet remembering;
because we’re so relieved that she’s alive
none of us chide her for showing up late;
Because we hear a melody that calls us
by our home names;
Because we are wandering planets
moving through a shared space,
together in our separateness,
and we need to be surrounded
by all the ages we have been
and those we have yet to be;
Because we know nothing is certain
beyond the blurred edge of this moment;
Because on the back porch,
though sometimes the boards
leave splinters in our bare soles,
the floor is open, wide enough to spread out,
and fireflies are flashing Morse code messages
we are itching to translate with our bodies;
Because the body is more than a wheelbarrow
to carry the spirit;
Because salting our cheeks has become
a part of our mourning routine,
and it’s time
to bow at the sink, let sorrow swirl
in the drain, let our pain wash down
with what we’ve lost or spit out;
time to straighten our shoulders,
try on a lopsided smile, and walk into
a more spacious room; time to reach for
the radio, pull from the waves
whatever clarity we can
between the shades of static and ash,
and sway to the song that comes on next;
Because life cannot be choreographed
but we learn to improvise;
Because even the ankle weight of grief
can’t keep us pinned to our chairs
when the music overtakes us—
we set down our glasses, rise
to our feet, and dance.
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Because joy is often stuck in traffic and is known for getting lost; because she cuts loose from the funeral procession and winds up missing the burial