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Emily Rose Hazel's work reflects on her experiences in Ghana while responding to the theme of "Harvest" and the passages of Exodus 16:2-4, 11-16, 31; Numbers 11:7-9; 1 Kings 17:1-16; Matt. 6:11-13, 25-27; and John 6:1-13 as she builds a poetry collection responding to every theme from the year as a 2013 Spark+Echo Artist in Residence.
Exodus 16:2-4
Exodus16:11-16
Exodus 16:31
Numbers 11:7-9
1 Kings 17:1-16
Matt 6:11-13
Matt 6: 25-27
John 6:1-13
Give Us This Day
By
Emily Ruth Hazel
Credits:
Curated by:
Spark+Echo Arts, 2013 Artist in Residence
2013
Poetry/Spoken Word
Primary Scripture
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The initial inspiration for this poem came to me more than eight years ago, when I was traveling in Ghana. While there, I had the opportunity to attend performances of several classic plays I had seen in the United States (including The Sound of Music and Grease). I loved seeing the different ways these stories were translated through another culture. That got me thinking about ways of reframing the familiar, looking at the same concepts through different cultural lenses.
At the time, I was trying to eat vegetarian, which proved to be a challenge in Ghana. My nearly-daily diet consisted of rice and beans, sweet plantains, and life-changing pineapples and mangoes. My friends insisted that I try traditional Ghanaian fufu. In West and Central Africa (as well as parts of the Caribbean), fufu is a staple food, prepared by boiling starchy vegetables such as cassava root, yams, and/or plantains, which are then pounded until they have the consistency of dough. The traditional way to eat fufu is to pinch off a small portion with one's right hand, dip it into an accompanying soup or stew, and swallow it without chewing. It's a filling dish, and I was glad I tried it, although I returned to my standbys.
Around then, I had a conversation with a Ghanaian friend about the phrase "Give us this day our daily bread," a line from the New Testament passage commonly called The Lord's Prayer. We were talking about how this verse wouldn't hit home in the same way for people for whom bread is not a staple food. Half-jokingly, my friend said that the Ghanaian cultural translation should be "Give us this day our daily fufu." That was the germ of the idea for this poem. I was reminded of that conversation when my exploration of biblical passages on the theme of Harvest led me to words about bread.Recently, my career transition to freelancing fulltime as a writer has had me thinking about miraculous provision, as in the biblical accounts of God providing manna—a mysterious, edible substance that covered the ground like frost each night when the Israelites were wandering in the desert. This was their "daily bread." While most of us would prefer to be promised a lifetime supply of bread upfront, often we aren't promised a year or even a month's worth, but simply a day's worth. That measure of uncertainty presses us to trust beyond what we can see and to be expectantly present in each day we are given.
Spark Notes
The Artist's Reflection
Emily Ruth Hazel is a poet, writer, and cross-pollinator who is passionate about diversifying the audience for poetry and giving voice to people who have been marginalized. Selected as the Honorary Poet for the 25th Annual Langston Hughes Community Poetry Reading in Providence, Rhode Island, she presented a commissioned tribute to the Poet Laureate of Harlem in February of 2020. She is a two-time recipient of national Dorothy Sargent Rosenberg Poetry Prizes and was awarded a National Endowment for the Arts Fellowship for a residency at The Hambidge Center in 2014. Her chapbook, Body & Soul (Finishing Line Press, 2005), was a New Women’s Voices finalist. Emily’s work has appeared in numerous anthologies, magazines, literary journals, and digital projects, including Kinfolks: A Journal of Black Expression and Magnolia: A Journal of Women’s Socially Engaged Literature. Her poetry has also been featured on music albums, in a hair salon art installation, and in a science museum exhibition.
Emily has written more than twenty commissioned works for organizations, arts productions, social justice projects, and private clients. Currently, she is developing several poetry book manuscripts and writing lyrics for an original musical inspired by the life of the extraordinary singer and Civil Rights icon Marian Anderson. A graduate of Oberlin College’s Creative Writing Program and a former New Yorker, she is now based in the Los Angeles area.
Instagram: @EmilyRuthHazel
Emily Ruth Hazel
About the Artist
Explore the other works composed throughout the year in Emily's poetry collection, created as a 2013 Artist in Residence.
Explore her works created throughout the year:
LIGHT AND DARKNESS (JANUARY 21, 2013)
“Circling the Waist of Wisdom”
FOOLS (APRIL 26, 2013)
DANCING (JUNE 27, 2013)
LIES (AUGUST 8, 2013)
HARVEST (NOVEMBER 14, 2013)
MEMORY (JANUARY 6, 2013)
Artists in Residence
Spark+Echo Artists in Residence spend a year developing and creating a major work in response to Scripture. Click on their names to view their projects.
Current Artists in Residence
Spark+Echo Arts seeks to develop and support communities of artists who engage with and create in response to the Bible. Due to the impacts of COVID-19 and some internal changes, we decided to pause the Artist in Residency for a year so that we could regroup our resources. Our hope is to continue offering this opportunity in 2021.
Previous Artists in Residence
2020
Sapient Soul, Marlanda Dekine (Poetry + Spoken Word)
2019
Lancelot Schaubert (Short Story)
2018
Elias Popa (Installation Art)
2017
Aaron Beaumont (Music), Lily Maase (Music)
2016
Ebitenyefa Baralaye (Visual Art), Chris Knight (Film), Lauren Ferebee (Theatre), Stephanie Miracle (Dance)
2015
Benje Daneman (Music), Jason DaSilva (Film), Melissa Beck (Visual Art), Don Nguyen (Theatre), Christine Suarez (Dance), The Spark & Echo Band (Music)
2013
Nicora Gangi (Visual Art), Emily Ruth Hazel (Poetry)
Related Information
Give us this day, however you slice it, thick or thin—let this be enough, at least until the sun, golden as an egg-brushed Chinese bun, rises again.
Give Us This Day
by Emily Ruth Hazel
Give us this day, however you slice it,
thick or thin—let this be enough,
at least until the sun, golden
as an egg-brushed Chinese bun, rises again.
Bring us the Monday-Tuesday-Wednesday
bread of life, the ordinary comfort
that we crave: the constancy of cooking rice,
the routine of rolling tortillas.
Give the French their measure of heaven
alongside every meal. Give Italians
their pasta, Ethiopians injera, and Jamaicans
coco bread. Give Pakistanis their chapatti
and Southerners their biscuits.
Give us couscous to satisfy
the ache in our bellies, naan
to mediate the fire in our mouths.
Sustain us one calendar square at a time,
through days that boil us down
and pound us like cassava root
until whatever stew we are in,
we are like dough in your hand,
as soft and stretchable as fufu. The days
and years we wander in the wilderness,
dependent on a promise, moving toward
what seems to be a mirage of milk and honey,
speak over us a grace that is more than words.
Let even the winter sky be generous:
let us wake to frosted flakes
on the ground outside our windows,
like the cereal you sent your children
in the desert, the answer
to their stomachs’ complaints
itself named after a question—
What is it?—Manna, silently arriving
as faithfully as morning dew, in between
dinners delivered as a hard rain of quail.
Stories tell of divine provisions appearing
in pairs: rolls and sardines, one boy’s lunch,
feeding thousands of listeners on a hillside;
ravens carrying bread and meat
to a ravenous prophet riding out the drought
in a rocky ravine; a widow’s last portion
of flour and oil lasting as long as
her mysterious houseguest stays.
Listeners, prophets, and widows, we are hungry
for surprises. Give us eyes to see potential
in the smallest offerings, the driest seasons,
the almost-empty jars. In the urban oven,
when summer’s heat hovers
and we are desperate for relief,
may we be grateful whenever we breathe in—
instead of the odor of ripening garbage—
the scent of something holy: a bakery’s aroma
reaching several city blocks.
After praying for hope we can harvest,
may we not be too preoccupied to notice,
as we pass the community garden,
the sunbursts of zucchini blossoms
and the lazy, yellow squash
lolling on the ground, primed for the picking.
May we consider the sparrows
that swoop across sidewalks,
their fearless pace unchanging
as they fly through chain link fences.
These tiny birds gather what they must
to build their nests, eat the seeds of found fruit
and disperse them, need no silos
for storing tomorrow’s concerns.
They put no stock in corporate politics,
are not consumed with working toward
the next promotion. Sparrows
have no pension plans. They simply trust
there is always a picnic ending
somewhere, a blanket of blessing
ready to be shaken out. Give us
that much faith, a thin space
we can squeeze between our fingers.
Give us, too, a taste of Wonder,
baskets of leftovers, crumbs of miracles
scattered like new constellations.
Fill our empty pita pockets.
Multiply our multigrain.
Braid our lives together
like a loaf of challah bread,
and lead us not into temptation
to rush the delicious.
Help us be present with each other
here in this day you have given us.
When we gather, let us linger;
let us learn to chew more slowly
so as not to miss the flavor
in the moments we share.
Let us do this in remembrance of you,
the carpenter boy next door
turned man of sorrows, fisher of souls—
like us, always waiting for the next bite.
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Give us this day, however you slice it, thick or thin—let this be enough, at least until the sun, golden as an egg-brushed Chinese bun, rises again.