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A Call to Solitude

By Ariele Macadangdang Hosea 2:6–23

Violinist Ariele Macadangdang explores Hosea 2:6-23 and the theme of “meals” in this five movement suite for violin, guitar, and narrator.

Composed by
Ariele Macadangdang and John Forsleff
Performed by
Sarah Amos, narrator; Ariele Macadangdang, violin; John Forsleff, guitar
Artist Curated by
Benje and Ashley Daneman
Artist Location
Southwestern Michigan


Hosea 2:6–23

6 Therefore, behold, I will hedge up thy ways with thorns, and make a wall, that she shall not find her paths. 7 And she shall follow after her lovers, but she shall not overtake them; and she shall seek them, but shall not find them: then shall she say, I will go and return to my first husband; for then was it better with me than now.

8 For she did not know that I gave her corn, and wine, and oil, and multiplied her silver and gold, which they prepared for Ba´al. 9 Therefore will I return, and take away my corn in the time thereof, and my wine in the season thereof, and will recover my wool and my flax given to cover her nakedness. 10 And now will I discover her lewdness in the sight of her lovers, and none shall deliver her out of mine hand. 11 I will also cause all her mirth to cease, her feast days, her new moons, and her sabbaths, and all her solemn feasts. 12 And I will destroy her vines and her fig trees, whereof she hath said, These are my rewards that my lovers have given me: and I will make them a forest, and the beasts of the field shall eat them. 13 And I will visit upon her the days of Ba´alim, wherein she burned incense to them, and she decked herself with her earrings and her jewels, and she went after her lovers, and forgat me, saith the Lord.

14 Therefore, behold, I will allure her, and bring her into the wilderness, and speak comfortably unto her. 15 And I will give her her vineyards from thence, and the valley of Achor for a door of hope: and she shall sing there, as in the days of her youth, and as in the day when she came up out of the land of Egypt. 16 And it shall be at that day, saith the Lord, that thou shalt call me Ishi; and shalt call me no more Ba´ali. 17 For I will take away the names of Ba´alim out of her mouth, and they shall no more be remembered by their name. 18 And in that day will I make a covenant for them with the beasts of the field, and with the fowls of heaven, and with the creeping things of the ground: and I will break the bow and the sword and the battle out of the earth, and will make them to lie down safely. 19 And I will betroth thee unto me for ever; yea, I will betroth thee unto me in righteousness, and in judgment, and in loving-kindness, and in mercies. 20 I will even betroth thee unto me in faithfulness: and thou shalt know the Lord.

21 And it shall come to pass in that day, I will hear, saith the Lord, I will hear the heavens, and they shall hear the earth; 22 and the earth shall hear the corn, and the wine, and the oil; and they shall hear Jezreel. 23 And I will sow her unto me in the earth; and I will have mercy upon her that had not obtained mercy; and I will say to them which were not my people, Thou art my people; and they shall say, Thou art my God.

Ariele Macadangdang

Ariele Macadangdang

From the Artist

“A Call to Solitude” is five movements of prose set to music. After writing the prose, I collaborated with John Forsleff to compose musical aspects of the piece, with the idea that the violin and guitar would provide the emotional content of the text. The first movement is about a woman’s invitation to a feast and the discovery of a new place. In the second and third movements she struggles to accept that the feast is set for her, and that it is given to her freely. In the fourth movement she shows up weary from a trying season of life, bringing a set of expectations to the rich man. She is a person who cannot put down her pride to accept love from the true source. The fifth movement is my attempt at depicting the unwavering invitation of the rich man and the release of freedom that comes from receiving love.

The feast is symbolic of intimacy with the Lord. In a way the woman is Israel, but to me she represents followers of Jesus in different seasons, relating to the King. Every day Jesus invites us to a feast and most days we can’t see the feast for what it is. At times when we can see it we shy away from it, thinking it is not ours to have. As a result we often settle for what we think we can provide for ourselves.

Performers on this recording are Ariele Macadangdang, violin, John Forsleff, guitar, and Sarah Amos, narrator.


Ariele Macadangdang is a violinist from Southwest Michigan.  In June 2012 she was a featured soloist in the Wal-Mart Annual Shareholders Meeting held in Fayetteville, Arkansas.  Through her activities at Western Michigan University she has performed in collaborative concerts with jazz pianist Ed Simon, and Israeli jazz pianist/composer Alon Yavnai.  She has twice performed at the Orfeo Music Festival held in the Italian Alps, where her current teacher, Renata Knific, is a faculty member.  Since 2010 she has been a founding member and planter of a fine arts community outreach, Imago Dei, with InterVarsity Christian Ministry on her campus.  Ariele is a freelance violinist for independent studio and recording projects with singer-songwriters in her area.  She also enjoys improvisation and collaboration across artistic disciplines.  She completed her undergraduate studies at Western Michigan University and is to begin her graduate studies at the University of Miami, Florida, in August 2014.


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